I’ve taken Barry’s action poses and applied my visual notes (in black). The main suggestion I have for Barry is to draw through the form using volume and to avoid using contour lines (aka outlines) to suggest the character’s form. Outlines, or contours, tend to flatten the image. By treating the elements of the body as volumetric surfaces that interlock and interconnect with one another, depth is implied. Overlapping forms against one another also gives the illusion of depth. Here’s what I mean:
Barry is using his line of action – and it’s definitely helping his poses. The one ambiguous pose I found was the one on the top left. I surmised it was the punch, so I drew the punch on the lower left. We can see the two key poses – the fist ready to punch (left) and the punching arm fully extended – with the fist drawn larger than the body to suggest that it’s closer to us, thereby implying depth.
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